I am happy to share that Saké Puppets was featured in the recent issue of Homespun magazine!
They sent me a sneak peek, and the issue is quite charming. Pop on over to their site to check it out. Thanks again, Homespun!
Ah, sashiko for Spring. This is a bag pattern I reverse-engineered from a cotton gift bag I received while living in Japan. It was given to me while staying at a ryokan, so you can carry a few belongings as you wander in your yukata from breakfast to nap time to the bath and back again. I love the way the two handles tie together — loosely to slide over your wrist or elbow like a handbag, or tightly like a pouch to prevent treasures from falling out. I added some freeform sashiko geometry on one side, and used my sashiko sampler pattern for the other. The bag is lined in old nani IRO double gauze, a scrap I had stashed in the depths of a craft box that followed me from Tokyo. Honestly, nothing compliments sashko-in-angles better than a light, floral nani IRO.Well hello, Spring.
Hello! I thought I’d share a quick update on some things happening around the Saké Puppets studio. First, I am very excited to share that I am now contributing to the Miss Matatabi Makers, where each month I’ll be sewing a new project with the delightful Japanese fabrics available in Miss Matatabi’s shop. You can take the girl out of Japan, but she’ll take the fabric with her. (^_−)−☆
Click on over to check out my first post, the new Riding Peplum pattern by April Rhodes in JUBILEE cotton lawn. Whoosh!
I also recently contributed a sashiko tutorial and coaster pattern to Kindred Stitches, a digital hand-craft magazine available on the Apple Newsstand. There are some very sweet projects included in the Japanese issue, so if you are interested, head on over to iTunes to check it out.
Happy Thanksgiving everyone!
In the midst of the madness that is my overseas move, I decided to release two new sashiko patterns. Yessir! Inspired by Japan’s gift-giving culture, I made sashiko-embellished furoshiki for the holidays. Furoshiki are cloths used for gift wrapping and they create lovely, elegant packages. The fanciest of gifts are always wrapped in furoshiki cloths. In addition, furoshiki are often considered a gift themselves, and can be used as tablecloths, scarves, or tied into handbags.
I have also been thinking about how to make holiday gift wrap more sustainable. From year to year my family tends to save and reuse ribbons and bags, so why not throw a few furoshiki in the mix as well?
The first pattern was inspired by winter snowflakes, which I love to sashiko stitch onto indigo fabric because they evoke memories of quiet snow falling late at night. The pattern can be repeated to create a border design or fit into corners.
The second pattern is a simple modern sampler. I originally created this design to use on iPad or tablet cases, but discovered it makes for a beautiful furoshiki as well. One of the wonderful things about sashiko patterns is that they can be embroidered anywhere! The pattern is a 25 cm square (9 7/8″) that can be sized up or down to your liking.
Both patterns are available for download on Etsy, along with several other patterns that are also well-suited for furoshiki. Check back here soon for tutorials on how to make and wrap furoshiki, and click over here for step-by-step instructions on how to embroider with sashiko.
Happy holidays everyone!
Yesterday I posted the result of my year-long endeavor with hitomezashi, the “one-stitch” style of sashiko done with alternating over-and-under stitches.
Today I thought I’d post a tutorial so you can try this style of sashiko at home. I bought a pre-printed pattern, but once I got going I realized it wasn’t necessary. Hitomezashi is straightforward, with alternating stitches on a grid. Much like knitting, the repeating pattern is easy to memorize and follow.
Let’s begin by drawing your grid onto your fabric. I made my lines 1/4″ apart. Draw lightly, you want these to wash out later, but you also don’t want them to wear off too soon.
Stitch all of the horizontal lines first, then proceed to stitch all of the vertical lines. In the end, your pattern will emerge!
I have broken the kaki no hana (persimmon flower) pattern down and isolated just the horizontal and vertical stitch lines in separate graphics. This pattern is done on a repeat, so you can make your project as large (or as tiny!) as you’d like. The key to remember is that as you work your line, you are always alternating stitches — one up, one down, one up, one down, and so on. If you skip a space on the grid, it will throw your whole pattern off.
Once complete, wash or spray your project with water to remove the grid lines. Hem or use bias tape on the edges for a nice finish.
You can create different designs by changing the patterns on the horizontal or vertical axis. Enjoy! I look forward to seeing your masterpieces!
I bought this pre-printed pattern from Hobbyra Hobbyre last summer and have worked on it on-and-off since. This style of sashiko is called hitomezashi, or one-stitch sashiko. Hitomezashi is typically done on a grid with over-under stitches, each stitch and space equal in length and, if done neatly, is reversible. I know you think that is crazy talk, but I’ve seen it done and it is amazing. All you quilters and embroiderers out there know what I mean — typically the first thing I do when examining someone’s work is look at the back, right?! How do they hide all those ends? Well, I know how they do it; turns out I’m just lazy.
Needless to say, mine is not reversible. Hobbyra patterns (as well as Olympus) come printed on double-wide cotton, so you can fold and stitch through two layers or use the extra fabric to cover the ugly back when you are finished. This pattern is called kaki no hana, the flower of a persimmon.
This pre-printed pattern was a good introduction to hitomezashi, it just took me a long time to finish. I got bored and put it away, would pick it up again for a week or so, get bored, move on to something else …. you know how it goes. But now I’m so glad I saw it through.
* Update: want the pattern? Now you can find it here!
A quick note to share the new kits I just posted in my web shop.
I’m cleaning out my craft closet, which means I gathered all my random bits and pattern pieces and put together some discounted surprise samplers. What fun! For me and hopefully for you, too.
This sashiko grab-bag includes everything you’ll need to make 4 coasters, including a surprise selection of patterns and fabrics. You’ll get a random yet well-coordinated assortment. Let’s get a little sampler-dangerous.
What, you don’t think embroidery is dangerous and edgy? Then we need to spend more time together, and I’ll show you a stabbin’ dangerous time. (^_－)－☆
More info on the kits here. Thanks!
Spring has taken hold of me. I ate two sakura-flavored mochi today. No lie.
Every year I put out a sakura-themed sashiko kit because I think sakura and sashiko are such as lovely little pair. And they are fun to say. Go ahead and try it: sakura sashiko sakura sashiko sakura sashiko. Catchy, right?This year I designed a pouch kit. These metal squeeze clasps are a new discovery for me and they are great. Easy to use, the metal clasp stays closed tightly and makes such an interesting and unexpected detail.This sashiko kit is easy to assemble in an afternoon and can be sewn entirely by hand. It is a great kit for beginner embroiderers, too. The finished pouch is 5″ by 6 1/2″ (125 mm by 165 mm), perfect for cosmetics, jewelry, small toys or treasures. Both small and large sakura patterns are included so you can design the layout yourself, and the pouch can be made with flat or boxed corners, your choice!
You can find the kits here. I hope you enjoy them as much as I do!
Today the weather was beautiful. I packed a lunch, hopped on my bike and peddled out for an impromptu picnic.My neighborhood has a take-away karaage (fried chicken) shop which proves irresistible at lunchtime when they stack bentos in the front window. Next door is a sweets shop, so into my bike’s basket went a sakura-shaped sugar cookie for dessert.The sakura trees are just starting to bloom in Tokyo. I found a few over-achieving blossoms that had already fallen and scooped them up to take along. The wasanbon cookie was stuffed with azuki red bean paste and much too sweet for my liking. It looked pretty anyway.The footpath that runs through Setagaya is lined with small gardens, play areas, and occasionally a small stream. As I ate my lunch I dropped the blossoms into the water. They meandered about 5 or 6 meters before getting caught on a rock. A bit later a small girl noticed them and plucked one out, very proud of her find.Ah, spring.