Hi friends. I’m still here! and I’m still sewing/stitching/(mis)adventuring! Just being a bit slow with writing and photos and … with life in general. But I recently made a linen blazer for this month’s Miss Matatabi Makers contribution, and I love it. LOVE IT! So I wanted to share it here with you, too.
As I mentioned over on Miss Matatabi’s blog, I purchased the ByHandLondon Victoria blazer pattern months ago and then let it sit on my sewing table. I couldn’t find the right fabric. I went to Mood more than once in search of something fancy, but it was Miss Matatabi’s linens that hit the mark. To bulk it up for cooler weather, I lined the blazer in one of my favorite nani IRO prints. Linen and double gauze are a dream combo, and the natural fibers let the blazer breath but still provide warmth.
This pattern has a clever construction and was quick to put together. At first I though it was too slouchy and casual. But after wearing it for, uh about 20 seconds, I realized it is exactly what my life needed. So comfortable! So versatile! These photos were taken after a bike ride through Brooklyn while waiting for the ferry. The wind picked up a bit, but I was ready. Sunset and autumn chill? No problem, man. This city blazer can handle it!
You can see more details over on Miss Matatabi’s blog. Thanks, friends! I’ll be seeing you all around again soon!
I haven’t bought new clothes in a while because every time I see something I like in a store I find a detail or something that isn’t quite right and convince myself to make it instead. This would be fine if I actually made the thing.
I finished my wool Hollyburn skirt just in time for … spring. As the weather warmed up, wearing a full wool skirt felt silly. And hot. So I tried to think a season ahead when choosing my next sewing project. Enter the Elisalex dress in Nani iro blue waltz.Tokyo’s summers are really hot and linen dresses are ideal. A lot of Nani iro fabric comes in this linen-cotton blend or double gauze cotton, which are great for sweaty Japanese summers. Coincidence? I think not.
I love the way this dress fits. The bodice is lined and just the right amount of snug.
I made a muslin for this dress which helped me decide to lengthen the bodice an inch. The muslin is still wearable though I’m not in love with the fabric, so I have designated it as my clean-the-house dress. Scrubbing floors in a dress = much more fun than scrubbing floors in sweatpants.
I went with an exposed zipper using this tutorial by Gretchen Hirsch and after seeing this tip by Closet Case Files added a very thin interfacing to give the skirt a little more poof. I don’t have a full-length mirror and now that I see these photos I might shorten the hem to the knees. I purchased the Nani iro from Miss Matatabi and lined the bodice in an orange and red cotton voile from my stash.
Summer, bring it on.
I bought this Japanese craft book a few weeks ago and have thumbed the pages many times, trying to decide which pattern to stitch. They don’t make it easy.
The title translates to “Stitch Lesson: 6 basic stitches for lines and surface embroidery.” The book begins with basic instruction in the Big Six: outline stitch, backstitch, chain stitch, satin stitch, long and short stitch, and the couching stitch. In truth, I could use the help. I lean pretty heavily on the split stitch with a fat ol’ six strands of floss, so I thought this book would provide inspiration for some much-needed practice in the dainty-stitch spectrum.
Each page spread presents one project, the complete design on linen on the left and full-size stitch diagram and detail on the right. Patterns and project instructions are relegated to the back.
It is a beautiful book, but let’s be honest — the real reason I bought it was for the very last pattern:
I acquired some linen swatches that seemed perfect for dainty pudding stitches, but in truth, am having difficulty transferring the detailed patterns onto these coarser fabrics. So I might switch back to cotton, or maybe I’ll just stop whining. I’ll let you know how it goes!