I’m quite proud of this next summer skirt because, it’s self-drafted!! I started with a square of fabric and nothing else, and then poof! made a skirt from my mind.
Confession: I actually created a pattern from a skirt that I bought at Anthropologie 4 years ago. I stared at the beloved garment for about an hour and was able to draft a pattern without taking my darling apart. I worked out the measurements and then constructed an exact replica. Except with zebras.
I purchased the fabric at Tomato in Nippori during our Tokyo fabric shopping meetup last month. Inna, Chie, Frances and I challenged each other to make garments using fabric we normally wouldn’t buy or wear. I resist pretty much anything with an animal print so this fabric definitely fit the criteria for me. Though, I love this fabric. It is a beautiful soft cotton and I think zebras in the forest are hilarious.
The waistband and hem are topstitched and I like the way they toughen up the skirt. It feels quite durable, suitable for a zebra frolic. I also included slash pockets, a hand-picked zipper, and lining.
This has been a great play skirt for the summer. The cotton is soft but tough, the skirt is breezy and cool, and the pattern is crazy which encourages summer hijinks. I’m also quite proud of myself for constructing something wearable from almost no pattern. Hooray for new skills! (^O^)／
Maybe I’m still riding the zebra high, but I committed to joining Inna’s couture Little French Jacket sewalong. I’m not sure I’ll keep up with the big girls, but it will be fun to see what happens. Whaddya say, want to join us?!
Because I’ve been eating so many macarons, I needed a dress with a little ease. I’m only half joking.
I was given a wool shift dress last year and love it. The boxy shape isn’t one I would have selected for myself, but it turns out a simple shift is flattering if done right. I decided to make a summer version using the Colette Laurel pattern. But I’m not sure I did it right.
I made a muslin and thought I was happy, and then finished the final garment in stripes and am solidly on the fence about it. I feel like a stripey marshmallow. Or like I’m wearing jail pajamas. Or, from far away, that I look sort of naked.In hindsight, selecting fabric the same color as your skin tone is not a great idea, regardless of how much you love stripes.
There were a few wins with this project, however. It was my first time installing an invisible zipper, and my first time matching stripes. Victory is mine!I used self-made bias and lined the dress in really soft natural cotton lawn. The lining was more expensive than the striped linen. Maybe I should wear the dress inside out?I think some of my ambivalence about the dress comes from the extra fabric in the back. It doesn’t hang the way a shift dress ought to hang. This pattern is for a dress with sleeves, and I thought I could simply leave the sleeves off and voila — sleeveless! Perhaps I was wrong. Maybe I could take it in a bit more at the back darts? Anyone have advice? I don’t own a serger and dislike raw edges, so I finished the sides with a flat felled seam and taking the sides in is not an easy option.
I think I’ll wear the dress again, maybe with tights and heels and a cardigan and a trench coat. If anything, this project was a good exercise in fabric selection and learning to really examine the fit of a muslin before forging ahead. I think learning to sew your own clothing takes a lot of experience gained from trial-and-error. Maybe this dress is just meant to help me log those hours.
Anyone else ever feel this way?
I have been to Tokyo’s fabric district many times, but like a trail horse I always go to the same shops. Recently I’ve been feeling brave enough to start sewing garments with fabrics other than cotton or linen, but I have little idea about where or how to start. Sewing bloggers to the rescue!
Photo courtesy of Chie. We are all wearing clothing we made. 🙂
I met Chie of Vivat Veritas, Inna Thewallinna, and Frances of Miss Matatabi (hiding) for a day of shopping and fabric education in Nippori. It was fantastically fun. We showed each other our favorite shops, they answered my questions about synthetic and drapey materials, and we challenged (dared?) each other to make something wearable out of bright prints.
I bought some knit jersey and flamingos wearing high heels from Tomato, the largest and most popular shop in Nippori. We also popped into Zak Zak where everything was 100 yen per meter. We were in and out of a few other shops along the way and ended with lunch at a Persian all-you-can-eat restaurant where the owner tickles customers, insists you eat with your hands and ride his camel.Photo courtesy of Inna. I am frightened.
Thanks for the fabric education and great day, ladies! We’re planning another trip later this summer, so let us know if you’d like to come along!
Tsuyu, I love you and I hate you.
According to the Japan Times the rainy season began 10 days early. I have a love/hate relationship with this time of year. The bad: damp tissues, moldy sinks, towels that never dry, and the smell of damp feet. The good: I love love love waking up to the sound of rain in the morning. And any excuse to linger in cafes or drink tea all day while sewing or go to movies mid-afternoon. I don’t even mind the crazy curly hairdos. The temperature isn’t too hot or too cold, and the rain is rarely heavy enough to require more than a large clear umbrella.
The absolute worst part of rainy season? The fact that when it is over, it is summer. Hot, humid, and wet but in a different, nastier way. To prepare I am making dresses, and Japanese fabric is perfectly suited for Japanese summers. How convenient.
This wrap dress is made with nani IRO woodblock pocho in gray/green double gauze cotton using Vogue 8646, the first Vogue pattern I’ve tried. It was just OK. I skipped a muslin because it’s a wrap dress (read: easy to fit), and made the size 10 with an extra 1″ in length in the bodice. I could have used another inch, I think. And the bodice feels too big. I hand-stitched the hem around the neckline which gives a nice finish and removed some bulk from the front. I am thinking about adding long ties, to actually wrap this sucker around my body and tighten it up a bit. But for a rainy-season-turned-sweaty-summer dress, it’ll do just fine. Japanese double gauze is like wearing a ShamWow. Sweat-wicking at its finest, my friends.
I bribed my husband into taking my picture with the promise of buying him lunch. And then this happened. Whooeee!
We both ordered omurice like 5-year olds, because what else do you do on a rainy day?
Maybe it is my lack of green garden space or maybe this time of year just brings out the felt-freak in me, but I pulled out my cute veggies and fruits books again.
Last year I made some tomatoes, onions, carrots, and posted a tutorial for mushrooms. Any guesses on what these shapes might become?
On March 22nd I lost my dear friend Arijit. He battled colon cancer for two years in a very public, very honorable fight.
He was 32 and a PhD candidate at the School of Sustainability at ASU. He was feisty and passionate about the environment, food, and music. He liked to challenge me to think about why I do the things I do. I taught him about hotdish and we talked about our feelings and swore like sailors during rowdy impromptu dinner parties. The world is definitely lonelier without him.
Ari’s favorite color was orange and when we gathered with friends to celebrate his life, I wanted to be blazing in it. I made another Elisalex in linen, and dedicated the time I spent sewing my orange dress to reflecting on Ari, our friendship, and his life’s journey. Spending a few days alone with my sewing machine was the best way for me to honor him and to grieve the way I needed to. My heart was full and my hands were busy.
So the blog takes a somber tone today to match the somber mood I have been feeling these past few months. I wanted to share about Ari because he constantly reminded us of how beautiful and interesting the world is and I am working to focus on those things rather than the sadness. But also because Ari loved thoughtful handmade things and making a dress or a cake or a hat, or whatever it is we make, are all ways to show our love for one another. It is a testament to how close you can feel to someone so far away. So I’ll keep making his tomato chickpea recipe, hand-stitched neckties for my husband, embroidered wedding gifts, and strive to show people how much I care about them.
Ari’s photo courtesy poopstrong.org.
I’m finally cutting into my nani iro woodblock pocho double gauze. Translation: I’m sewing a dress.
Photo from Instagram.