I’m finally cutting into my nani iro woodblock pocho double gauze. Translation: I’m sewing a dress.
Photo from Instagram.
I’m finally cutting into my nani iro woodblock pocho double gauze. Translation: I’m sewing a dress.
Photo from Instagram.
I haven’t bought new clothes in a while because every time I see something I like in a store I find a detail or something that isn’t quite right and convince myself to make it instead. This would be fine if I actually made the thing.
I finished my wool Hollyburn skirt just in time for … spring. As the weather warmed up, wearing a full wool skirt felt silly. And hot. So I tried to think a season ahead when choosing my next sewing project. Enter the Elisalex dress in Nani iro blue waltz.
Tokyo’s summers are really hot and linen dresses are ideal. A lot of Nani iro fabric comes in this linen-cotton blend or double gauze cotton, which are great for sweaty Japanese summers. Coincidence? I think not.
I love the way this dress fits. The bodice is lined and just the right amount of snug.
I made a muslin for this dress which helped me decide to lengthen the bodice an inch. The muslin is still wearable though I’m not in love with the fabric, so I have designated it as my clean-the-house dress. Scrubbing floors in a dress = much more fun than scrubbing floors in sweatpants.
I went with an exposed zipper using this tutorial by Gretchen Hirsch and after seeing this tip by Closet Case Files added a very thin interfacing to give the skirt a little more poof. I don’t have a full-length mirror and now that I see these photos I might shorten the hem to the knees. I purchased the Nani iro from Miss Matatabi and lined the bodice in an orange and red cotton voile from my stash.
While visiting the Kawaii Nunohaku craft fair last month I bought two small pieces of fabric from a Kamakura-based shop owner. The fabric was a beautiful pairing and I knew right away that I wanted to use them in a scarf.
I know nothing about these fabrics except that the colorful one is incredibly soft and light, is screen or maybe woodblock printed, and the other is linen. It might be hand-printed, too. I decided to make a circle scarf like the one I saw on Miss Matatabi’s site. I cut each piece into two 12″ by 30″ rectangles and sewed the short ends together. Following the directions here, I sewed the two fabrics together along their long edges then turned the scarf right-side-out, hiding the seams and pressing it crisp. I joined the remaining short ends and finished it with hand-stitching.
Spring has taken hold of me. I ate two sakura-flavored mochi today. No lie.
Every year I put out a sakura-themed sashiko kit because I think sakura and sashiko are such as lovely little pair. And they are fun to say. Go ahead and try it: sakura sashiko sakura sashiko sakura sashiko. Catchy, right?
This year I designed a pouch kit. These metal squeeze clasps are a new discovery for me and they are great. Easy to use, the metal clasp stays closed tightly and makes such an interesting and unexpected detail.
This sashiko kit is easy to assemble in an afternoon and can be sewn entirely by hand. It is a great kit for beginner embroiderers, too. The finished pouch is 5″ by 6 1/2″ (125 mm by 165 mm), perfect for cosmetics, jewelry, small toys or treasures. Both small and large sakura patterns are included so you can design the layout yourself, and the pouch can be made with flat or boxed corners, your choice!
You can find the kits here. I hope you enjoy them as much as I do!

A while back Vogue had a sale on all their sewing patterns, so I bought three. This is definitely wishful thinking. I can’t imagine I will find the time to make all of these dresses.
I bought them because they were inexpensive and I thought they might be nice patterns for a beginner. I am going to cut into that pattern tissue, yes I am.
A friend recently bought a real-deal Von Furstenberg and looked great in it, which was the inspiration for 8646. I have no idea what I was thinking about 8825. Those sleeves are sort of hideous. (Though the blue version on their website is much better, and this version rocks.)
The hardest part about sewing is conjuring up an image of the final project — what fabric to use, how it will drape, how I could possibly customize it? I have no idea.
While frolicking in the US last summer I stopped by JoAnn Fabrics and found all their patterns on sale for cheap, like $1 or something ridiculous. I can’t quite remember, it all went a little blurry after the frenzy hit. I had forgotten about them until I went to put my new Vogue numbers away.
I now remember my excitement about Ms. 8727. In 2006 (or 2005?) I bought a dress similar to view B at H&M for $15, and it is one of my favorite dresses. It fits me perfectly, is printed linen with a lined bodice and pockets, and I still wear it all summer. Even though styles in Japan are quite modest and that much semi-cleavage is scandalous. I don’t care, I need pockets! For years I have been dreaming of making one in every color of the rainbow but didn’t actually know how to do that. Until now!
This is quite the lineup, and none of it gets started until after this:
I decided to join another sew-along, this time for the By Hand London’s Elisalex dress. I am making it in Nani iro linen. My excitement can only be adequately described in emoji: ヾ(^O^)ノ
After paying proper respect to my old sewing needles at the harikuyou 針供養 festival, I started to feel bad about how I treat my other needles. Usually they are scattered on my desk, with random bits of string left threaded to help me find them when they drop to the floor. They deserve a happier place to live.
I whipped up this needle book using the new Kokka fabric Candy Party Tsuzuki, a gift from my friend Miss Matatabi. I bought the button months ago because fancy zebras are awesome.
I am really excited about this fabric. Triangles and neon and sparkles. Yes! It’s like Harajuku wrapped up in a little fabric bow: super sweet and a bit punky.
I put a pocket in the back to hold my Japanese needles because their packaging is just too lovely not to keep. They are from my friend Inna who really knows her needles. They be fancy.
How do you store your needles?
On Friday I went to a local harikuyou 針供養 festival. February 8th is a day to pay respect to your old sewing needles by sticking them in tofu.
The idea is that your needles have worked hard and have served you well, and so deserve a soft place to live our their final days.
My friend who is also a stitcher and I joined women in kimono and men in glimmering robes inside the small temple. We were ushered in and we kneeled on pillows. A box of incense passed our way and we were encouraged to pinch some into the embers and pray. We lined up with everyone and stuck our needles into the tofu. Then the temple ladies handed us sweet amazake. They reminded us it was cold outside, we needed to drink up, and handed us a second cup.
After the ceremony we went outside and noticed women were also dropping pins and needles into a large stone box. We peeked inside and saw it was filled up to the eaves. They told us it has been a resting place for needles for as long as the temple has been there. (I looked at their website, maybe since 1608?)
We strolled around the temple grounds, admiring the ume trees in bloom. It was cold, but a lovely day.
Just before I placed my needle into the tofu I accidentally pricked myself with it, and it drew a little blood. He (yes, he) wouldn’t go without a fight. I felt some remorse about sending him to his end, so I hope I did right by this little needle in finding him a tofu bed.
I bought a good luck charm from the temple to help me while sewing this year. I haven’t pricked myself since.
Ps, I have updated this post so it no longer refers to my friend and myself as sewers. We are indeed people who use needles, not big holes of crap.
A winter skirt, just in time for spring. This lovely wool was given to me years ago and I finally felt confident enough to sew something with it. I used the new Sewaholic Hollyburn skirt pattern, which is designed for hippy ladies such as myself. A nice match, I think.
It reminds me a little of a skirt my mom used to have. Or the one Vera Ellen wears around the fire in White Christmas. You know the one.
I have a teeny confession to make, however. The hem is only basted. I don’t own a full length mirror, I usually reply on shop windows as I walk to the subway station. The barber is used to me adjusting my pants in front of his window, and we are both OK with that. I’m not yet sold on this skirt’s length (I added 2 inches to view A) and wanted help from these photos. So don’t look too closely.
I completed this skirt as part of a Hollyburn sew-along. The pattern was easy to understand, but because it is wool I thought it was necessary to add a lining and it turns out I needed a little hand-holding. Thankfully Rachel at My Messings did a step-by-step guide. This was my first garment with a zipper and a lining so there is definitely room for improvement, but I’m happy with they way it turned out. Well, after it is hemmed, maybe in time for next autumn.
For Christmas I made my husband a shirt. It was a gift, but also a little selfish since I really wanted to hide at home and sew for a few days.
I chose the Colette Negroni pattern because word on the Internet was it is an easy pattern to tackle, which turned out to be true. It was fun to put together. I may have squealed with delight, sitting there alone in my apartment. Or perhaps Tanaka-san heard me and shared in the fun.
It was a risky undertaking since I had never before made something with so much detail — pockets! button holes! cuffs! a collar! — and if the project fell terribly apart, I was left with no backup plan. Thankfully it worked out well, for both us.
This is the practice shirt, which I made out of cheap polyester-something, and it has been worn about a dozen times without washing. I think he likes it. I keep saying he can pick out the fabric for the real shirt but he has to go to Nippori with me to do so. Maybe there is a bit of selfishness in that offer, too.
Yesterday I shared last year’s to-do list and how well I did checking things off. It feels good to keep a list and look back a year later, to see how your year changed from the one you had imagined. I might not have accomplished everything on my list, but keeping an eye on it throughout the year gave a good push to keep trying new things.
I’m stepping into this year tentatively, like I am dipping my toes into water — will it be refreshing? Too hot? Will I turn and run and hide under my towel? We shall see. Here is the list for 2013:
Cook 12 new recipes. I am putting this on the list again, even though last year I failed miserably at it. I want to cook more, and if this list gives me even a little bit of encouragement it will be a positive gain. I’d love to learn more traditional Japanese dishes, so perhaps I’ll even treat myself to a cooking class.
Read 8 books. I’m upping the ante from 5 last year. Recommendations?
Visit 6 new places. This is achievable so I’m sticking with it. If I could go anywhere? The mountains of Chile, Alaska, New Zealand. Where might I go? Vietnam, Cambodia, Thailand, or a romp through northern Japan. I’d love to find a hike to a secret little outdoor onsen in the mountains.
Sew 6 new garments. My new sewing hobby has me obsessed. I’d like to learn more skills this year, and make a fitted and lined dress, pants, and a jacket or blazer. I vow to not be afraid to cut into expensive fabrics.
Make a gigantic sashiko art piece. A last-minute addition. Why not?!
Publish something. An article or an encyclopedia (dream big!), it doesn’t matter.
2013? Let’s do this.